March 30, 2016
October 23, 2016
The large-scale color images in this exhibition reinterpret masterworks of painting as photographs. In some cases fashioned as an homage, in others a critique, these works combine elements of historical paintings with traits particular to photography to create images with a unique and powerful presence. Examples include Rineke Dijkstra’s Hel. Poland, August 12, 1998 (1998), Andres Serrano’sBlack Supper (1990, printed 1992), Starn Twins’ Large Blue Film Picasso (1988–89), and Mickalene Thomas’ Le dejeuner sur l’herbe: Le Trois Femmes Noires (2010).