Miki Howard
Miki Howard represents passionate vocal artistry wrapped in a diminutive package of beauty, sass and candor. Grammy-nominated Howard already has a stunning catalog of music wide ranging in style – from the breezy “Come Share My Love” and the steamy funk of “Ain’t Nobody Like You” to her soul-stirring signature “Love Under New Management,” the jazzy “Imagination” and the inferno that is “That’s What Love Is” (her duet with the late, great Gerald Levert).
Born in Chicago, Illinois, Alicia Michelle “Miki” Howard was the daughter of two well-known gospel singers. Her father, Clay Graham, sang with the Pilgrim Jubiliees and her mother, Josephine Howard, was a member of the Caravans, a group that would eventually be inducted into the Rock and Roll Hall of Fame.
When Howard was in her early teens, her mother moved the family to Los Angeles. Already aiming at a career in music, the 15-year-old Howard received her first break when she participated in a teen beauty contest. Augie Johnson, leader of the group Side Effect, happened to be in the audience; impressed with Howard’s singing talent, Howard also joined the lineup of Side Effect in 1978 when another singer departed. She sang with Side Effect until 1982.
Howard signed a contract with Atlantic Records in the mid-1980s and recorded her first solo album, “Come Share My Love”, in 1986. The title track from the album was its first single, hitting the top ten of the R&B charts and reaching number five in late 1986. A remake of the pop standard “Imagination,” which Howard had fought to include on “Come Share My Love”, was another hit from the album.
Howard continued with a successful solo career after switching to Giant Records in 1991. Her first single under her new contract, “Ain’t Nobody like You,” became Howard’s second number-one R&B hit. The subsequent album, 1992’s “Femme Fatale”, featured Howard’s renditions of classic tracks originally performed by Dinah Washington (“This Bitter Earth”) and Billie Holiday (“Good Morning Heartache”).
After a casting director saw her perform some Billie Holiday tunes at a New York City concert at Radio City Music Hall, Howard was offered the chance to portray Holiday in a nightclub scene in director Spike Lee’s 1992 film “Malcolm X”. The following year, Howard recorded an entire album of Holiday songs, “Miki Sings Billie”, including her favorite Holiday tune, “Don’t Explain.” In 1993, Howard made another movie appearance in director John Singleton’s “Poetic Justice”.
